Carla Maria Verdino-Süllwold

Lewiston’s Public Theatre opens its 34th season to a full house, convulsed in laughter at the Victorian spoof,  DRACULA:  A COMEDY OF TERRORS.  The 2023 Off- Broadway comedy by Steve Rosen and Gordon Greenberg is a sendup of Bram Stoker’s Gothic novel Dracula, but in this delightful comic concoction, horror is replaced with frothy fun and sheer silliness.

A hush fell over the audience at the Hill Center last March when Good Theater’s Executive/Artistic Director, Brain P. Allen, concluded his curtain speech with the news that the current  production of A MAN OF NO IMPORTANCE would be the last for the GOOD THEATER on Munjoy Hill. The theatre company, which was celebrating more than twenty years as the resident company of what had formerly been known as The St. Lawrence Center for the Arts, had lost its home, and Portland was about to lose one of its most vibrant professional theatres.

With their concert subscription series such a huge success this season, Maine State Music Theatre scheduled one final treat for fans of historic rock ‘n’ roll. On August 19 Pink Floyd tribute band, Floydian Trip, took the stage at the Pickard Theater to present two concerts combining many of Pink Floyd’s signature hits into one single event. The seven musicians comprising the band led the audience on an explosive journey through pulsating sound, visual effects, and recreation of the era of psychedelic rock.

Curt Dale Clark and Seth Eliser joined Kathryn Boswell, Alfie Parker, Jr., Associate Choreographer/Dance Captain, and an actor playing one of The Drifters, for a panel discussion moderated by Broadway World’s Carla Maria Verdino-Süllwold on August 14th at the Curtis Memorial Library in Brunswick, Maine.

On August 14, the Brunswick Town Mall brimmed full with spectators, all eager to enjoy Maine State Music Theatre’s annual free Concert on the Mall, presented in collaboration with the Brunswick Downtown Association. For MSMT, the performance is a meaningful opportunity to give back to the community that has supported the theatre all summer. Stars of the final main stage show, BEAUTIFUL: THE CAROLE KING MUSICAL, together with the MSMT singers and several other favorite artists, treated the enthusiastic crowd of all ages to an evening of Broadway favorites and covers of popular standards.

When Dorothy, swept away by the tornado, finds herself transported beyond the rainbow to a land of vibrant color, the audience at Maine State Music Theatre’s final Theatre for Young Audiences production gasps in wonder. The production of the children’s version of the Harold Arlen/Yip Harburg musical with a cast of young professionals and local youth, directed by Betsy Puelle, has transformed the Pickard Theater into a land of pure fantasy and imagination using all the theatrical elements at their disposal. MSMT serves up an evening of song, dance, puppetry, and visual wizardry that is one of the most stunning and enchanting TYA performances seen there in recent years.

Powered by poetry, fueled by raw and resilient emotion, and presented with passion and high voltage energy by a company committed to the music and message, BEAUTIFUL: THE CAROLE KING MUSICAL triumphantly takes the stage as the finale of Maine State Music Theatre’s 2024 season. Exploring the early life and creative journey of popular music’s living legend, Carole King, BEAUTIFUL is a biographical jukebox musical that plays like a top 10 hit parade, at the same time that it tells its disarmingly, immediate and vulnerable story. With the luminous Kyra Kennedy giving a deeply authentic, earthy, and uplifting performance in the title role, BEAUTIFUL offers both absorbing entertainment and inspiration.

“I think Carole King is a poet. She paved the way for so many women who came after her in [popular music]. There is such a rawness and pure emotion in her music that feels like poetry to me,” declares actress Kathryn Boswell, who will play Cynthia Weil in BEAUTIFU: THE CAROLE KING MUSICAL at Maine State Music Theatre.  “When you don’t have the words to express what you feel, you write it in poetry or music because some of these emotions are just too big to hold.”  “Carole King writes about such universal themes, about love and humanness – emotions that are always relevant,” concurs Alfie Parker, Jr., who serves as Associate Choreographer and plays one of The Drifters in the show. The musical, which explores the rise to stardom of popular music legend, Carole King, runs at MSMT from August 7 -24 and concludes the company’s spectacular 2024 season.

Maine State Music Theatre’s third concert of the season features a wild roller coaster ride through the history of early rock and roll with Jason Cohen and his stellar bandmates paying tribute to the legendary pianist and songwriter, Jerry Lee Lewis and his contemporaries. In an evening that offers electrifying pianistic virtuosity and raw energy vocals, Cohen and company bring down the house and demonstrate the power and the revolution that early rock and roll was.

“It is perfect symmetry to utter the words ‘Curt Dale Clark’ and ‘Christmas’ in one sentence because no one does Christmas better than he and Marc Robin.”  These were my words as moderator of MSMT’s third Peek Behind the Curtain panel discussion as I introduced MSMT Artistic Director, (Curt Dale Clark) and his concept for the Christmas in July extravaganza currently providing context for the theatre’s spectacular production of WHITE CHRISTMAS, directed and choreographed by Robin. The panel of several of the show’s stars, Kerry Conte (Betty Haynes), Darien Crago (Judy Haynes), and David Girolmo (General Waverly) joined Clark and me to share with the audience their experience on stage in the beloved Irving Berlin classic now running at the Pickard Theater until August 3.

What could be more enticing to youngsters than Christmas that comes early? This summer Maine State Music Theatre invites families to experience Christmas in July at the Pickard Theatre and to share the magic of a musical never before presented here in Brunswick: Robin and Clark’s  THE STORY OF THE NUTCRACKER. Twinkling lights, myriads of trees, a market filled with goodies, and even a hint of snow …. all join forces to create an immersive experience for the Theatre for Young Audiences series. While Robin and Clark’s musical version of the Nutcracker story has been a Christmas staple for years in cities like Chicago and Lancaster, PA, It has not been presented here in Maine until now.  But after this debut series of performances, one can only hope it will become a new Maine tradition.

The thermometer in Brunswick Maine reads 85°F, but as one approaches the Pickard Theater, a band plays Christmas music outside, and inside the lights are twinkling; the halls are decked with garlands and wreaths; there is literally a forest of elegantly decorated trees, and there is a promise of snow in the air. This is, indeed, a white Christmas like no other. The brainchild of Artistic Director Curt Dale Clark, Maine Street Music Theatre has created “Christmas in July” with a spectacular production of Irving Berlin’s classic WHITE CHRISTMAS, directed and choreographed by Marc Robin as its centerpiece. This is a singular and sensational opportunity to experience a breathtaking Broadway musical in a beautiful fantasy setting. 

“There’s so much more to this show than just Christmas,” declares actress Kerry Conte, describing Irving Berlin’s WHITE CHRISTMAS, which receives its first ever production at Maine State Music Theatre beginning July 17.  “It’s one of those shows that has something for everyone,” adds co-star Will Ray.  “How lucky are we to spread a little Christmas cheer in July!” Ray, who plays Bob Wallace, and Conte, who portrays Betty Haynes, are enthusing about Maine State Music Theatre’s newest extravaganza: a spectacular, immersive production of the holiday classic that will transform the entire Pickard Theater and offer dazzling visual effects, breathtaking choreography, and stunning vocal and dance performances as it tells the beloved story in the irresistible language of live theatre.

Maine State Music Theatre’s second concert of the season is a high energy musical tribute to Sir Elton John, performed by pianist and singer Colte Julian. The adrenaline-pumping program, WONDERFUL CRAZY NIGHT, features a well-chosen setlist of songs spanning some sixty years of John’s colorful and complex career. These mega hits are interspersed with biographical tidbits and snippets of video as Colte and his four-piece band rock away the evening, recalling the many moods and milestones of the “Rocket Man’s” superstar career.

“We battle with other theatres to get the rights for shows.  We always try to get MSMT on the national radar as much as we can and get first rights if possible, but it is very competitive,” explains Curt Dale Clark, Maine State Music Theatre’s Artistic Director, as he recounts how the Brunswick theatre managed a virtual coup for this 2024 season by becoming the first regional theatre to receive the rights to produce FUNNY GIRL after it closed its recent revival on Broadway.  “In the case of FUNNY GIRL, Concord Theatricals was holding our money for a show that we planned to produce in 2020 before the pandemic shut everyone down. Since they do not return money, they were eager for us to choose another show from their catalog and clear their books.  I agreed if they would give us the first rights to FUNNY GIRL after the Broadway show closed.” Clark is sharing his thoughts with the audience at MSMT’s second Peek Behind the Curtain on July 3 at the Curtis Memorial Library in Brunswick, where he is joined by actors Sue Cella, Douglas Raymond Williams, and Michelle Beth Herman, as well as panel moderator, Carla Maria Verdino-Süllwold.

Maine State Music Theatre’s new production of FUNNY GIRL is a triumph for its star and a coup for the company. Obtaining the first rights to produce the show after the closing of the recent Broadway revival is an unprecedented accomplishment for the theatre’s Artistic Director, Curt Dale Clark.  In addition, the production, itself, is arguably the first FUNNY GIRL anywhere to use the state-of-the art video technology, and perhaps the most thrilling feat of all: not only does the entire cast deliver stunning performances, but Jenna Lea Rosen, who makes her MSMT debut and role debut as Fanny Brice, is unquestionably a superstar. The result is an evening in the theatre that is as exhilarating and spellbinding as any you will see on any stage and an experience not to be missed!

“There was no one else like Fanny Brice!  Since I was a child, I have identified with her in so many ways,” enthuses Jenna Lea Rosen, who makes her MSMT debut and role debut this week in the first regional revival since the Broadway show’s recent closing.

For its first sold out concert of the 2024 season, Maine State Music Theatre presents the music of two vocal virtuosi of Pop, Celine Dion and Barbra Streisand.   Performed by twin sisters, Susie Pepper and Ali Butler, with guests and their band, Mixology, The Way We Were The Music of Celine & Barbra pays homage to both divas in electric and riveting arrangements of their greatest hits. 

“I feel a responsibility to both past and present,” declares MSMT Artistic Director Curt Dale Clark, who also serves, together with Marc Robin as Co-Director for the production which opens MSMT’s 2024 season.

In a colorful, imaginative retelling of this “tale as old as time,” MSMT opens its 2024 TYA series with a revival of Robin and Clark’s version of BEAUTY AND THE BEAST. The production, directed by Betsy Puelle, not only offers a contemporary twist on the classic fairytale, but also layers onto that version another dimension of fantasy and fun. Setting the ancient story as a play within a modern play, Robin and Clark create the dual perspective that characterizes many of their musicals and allows the actors to break the fourth wall and engage the youngsters directly. The narrator, a schoolgirl named Cindy, fashion – often improvises - her version of the story, lobbies to have it produced, and eventually plays a pivotal role in the work. Employing MSMT’s exciting new video technology, a stellar cast of young professionals, and incorporating large-scale, whimsical puppetry into the mix, this BEAUTY AND THE BEAST proves the resilience of the source material and the creative genius of the company