Gary Naylor - Page 40

Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.

Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.

Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality

Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug! man like him.

Gary Naylor sees a show that he should like more than he does, possibly because it owes more to performance art than it does to theatre.

Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.

BWW catches up with one of Britain's pantomime favourites, currently appearing as Prince Charming in Cinderella at the London Palladium.

Gary Naylor sees a pantomime that pushes all the traditional panto buttons without distracting gimmicks.

Gary Naylor sees a tremendous show full of great songs wonderfully well sung with the added bonus of great dancing too!

Gary Naylor sees a serious but rewarding take on one of Shakespeare's late plays that raises questions about power and control.

Gary Naylor sees a piece of new theatre that has its roots in farce but gives it a contemporary twist with a young cast and first time creatives.

Gary Naylor sees a brilliantly executed musical spoof of the 70s disaster movie genre that needs to find a home in the West End soon.

Gary Naylor sees an ambitious and challenging show that overstretches its resources and that of its audience.

Gary Naylor sees a wonderful tribute to a unique man amongst The Fallen of the First World War, whose story stands for him and for millions more.

Gary Naylor sees a young cast attack a classic play to update for today's world, a venture that succeeds partially, and is never less than interesting.

Gary Naylor sees a show about, and I can hardly believe what I'm writing here, the 45th President of the United States of America.

Gary Naylor sees an adaptation of William Leith's book that, for all the skilled work in the production, fails to engage its audience.

Gary Naylor sees an impassioned production of Bach's St John Passion, by and for, the people under the guidance of English Touring Opera

Gary Naylor sees an accomplished, eerie play about a remote Scottish community that doesn't quite have the courage of its convictions.

Gary Naylor sees a slick romcom musical about 90s New Yorkers that impresses but leaves him just a little cold.