Gary Naylor - Page 53

Gary Naylor sees an extraordinary production of Shakespeare's most controversial play, one full of ambiguity and vicious cruelty, both physical and mental.

Gary Naylor sees two supercharged shows united by their format and their willingness to explore the darker side of the man who invented the modern Christmas.

Gary Naylor sees an imaginatively conceived and beautifully executed adaptation of a Christmas standard that never goes out of fashion.

Gary Naylor sees a beautifully judged show that revisits some of the most famous Christmas songs and poems and delivers them with panache and charm.

Gary Naylor sees a panto packed with audience-pleasing routines and splendid performances, one that continues this venue's tradition of big shows with big stars.

Gary Naylor sees a a fine start to OperaUpClose's swansong to the King's Head with a Donizetti classic adapted for a Beverley Hills mansion.

Gary Nayloe sees a beautiful, Christmassy adaptation of the CS Lewis's classic tale of talking animals, the fight between good and evil and imposition of childhood responsibility.

Gary Naylor sees another fringe panto full of enthusiasm, audience participation and laughs, the perfect alternative if you're tired of soap stars, high prices and special effects.

Gary Naylor sees a short, sharp, sweet play that has echoes of Christmas classics, but retains its own sense of the festive season in the Big Apple.

Gary Naylor sees a production that delivers much for the eye but maybe not quite enough for the ear - but there's no such thing as a dull Mikado, so he comes away smiling.

Gary Naylor enjoys one of his treats of the year, the boutique panto that's short on space but long on laughs, invention and music.

Gary Naylor sees another spectacular Christmas production at Chickenshed, an uplifting vision of humanity and a wonderfully entertaining show.

Gary Naylor sees a revival of a play controversial in its time and somewhat unsatisfactory today. Nevertheless, it is beautiful to look at.

Gary Naylor sees a panto that breaks the fourth wall, breaks taboos and breaks wind - not one for the faint-hearted, but a good laugh for everyone who buys in!

Gary Naylor sees a promising, if overly long and shouty, comedy set in a City office that isn't coping too well with the financial and social backlash of the 2008 recession.

Gary Naylor enjoys an Awards Show that seeks out new talent in musical theatre and provides them with a step on the rung to the West End with a West End Gala showcase.

Gary Naylor looks back on another hugely varied and entertaining year in the London's stalls marveling again at the commitment, skills and energy of everyone involved.

Gary Naylor enjoys his first experience of opera beamed from the New York Met into the cinemas of the UK. Inevitably, one can hardly go wrong in the company of Seville's celebrated barber, despite quite a few hiccups on the way.

Gary Naylor sees a jukebox musical that takes us back to the 80s - in more ways than one - but leaves its audience on its feet, demanding more.

Gary Naylor sees a play that demands that we look beyond the horror of the images and into the conditions that drive men and women to do terrible things in time of war.