Gary Naylor - Page 61

Gary Naylor sees an engaging show about sibling rivalry - and love.

Gary Naylor sees a brilliantly realised homage to an immortal woman.

Gary Naylor sees a funny and poignant play about love, intimacy and electricity.

Gary Naylor sees a convincing recreation of Britain's favourite double act

Chickenshed launches its 40th Anniversary celebrations with The Night Before Christmas.

Gary Naylor sees a scaled down version of Verdi's classic that captures the soul of the story.

There was plenty of stardust scattered about in the foyer at the opening of the new, magnificently appointed Andrew Lloyd Webber Foundation Theatre at Chiswick's Arts Educational Schools, Chiswick. There's TV's Claire Balding. And there's multi-award winning actor Robert Lindsay. And there's theatrical grandee Trevor Nunn. And, of course, the Lord himself. But if we began the evening star-spotting amongst the already famous, we finished it spotting those who will be famous.

Gary Naylor finds that hell does indeed hath no fury like a woman scorned.

Like a bad night in Sauciehall Street, Jon Gun Thor's version of Macbeth is packed with scheming, macho violence and blood. Well, it is The Scottish Play after all. Pared back to 90 minutes and with a cast of six, many playing multiple roles, there's so much brawling and calling out that it sometimes feels like the a medieval Wrestlemania

Gary Naylor sees a version of a classic that's never, well, hardly ever, been done before.

Towards the end of Keeler (at the Charing Cross Theatre until 14th December) old newspaper photos flash on the big screen behind the stage and it all becomes clear.

Gary Naylor finds out more about a Macbeth that incorporates multiple languages and dance to supplement the dark, familiar text.

Gary Naylor revisits an old friend of sorts - both the man and the show.

Gary Naylor sees an emotional play.

Gary Naylor sees the wit and wisdom of Jane Austen brought to the stage.

Gary Naylor goes on an emotional rollercoaster with definitely not the kids from Fame.

Gary Naylor sees a play with potential fail to realise it.

Gary Naylor sees a music / comedy / performance art version of Oedipus Rex - oh yes he does!

Gary Naylor sees a musical for a second time - 28 years on.

Gary Naylor sees a show pushed just a bit too far.