Jade Kops - Page 5

A MIGRANT’S SON is the engaging and passionate story of Michaela Burger’s family history expanding over 100 years. A story of grit, determination, ambition and love that centres around her larrikin father Luke.

Review: Kym Vaitiekus Shares His Thoughts on A LITTLE NIGHT MUSIC. Once again, Hayes Theatre has achieved another astounding triumph. Director Dean Bryant has assembled the perfect ensemble with his production of A LITTLE NIGHT MUSIC. His expert hand delivers the ultimate musical theatre experience

Dance Makers Collective celebrate their ten-year anniversary with BIG DANCE 2.0. An evening of bite sized dance work that delves into many issues of the day.

The 2024 HAYES season will deliver joy, delight, surprises, heartfelt emotions, intriguing ideas, and distinct and remarkable experiences. Richard Carroll and Victoria Falconer are the enthusiastic and inspired Artisitic Directors who proclaim- “A breathtaking adventure awaits”.

SKANK SINATRA A thoroughly entertaining night of clever, comic, crude and cheeky cabaret

Following on from the successful 2023 AUSTRALIAN MUSICAL THEATRE FESTIVAL, the Festival is expanding and is on the search for an Executive Producer to work alongside Artistic Director Tyran Parke to deliver the 2024 festival and beyond.

Brilliantly funny, William Finn (Music and Lyrics) and Rachel Sheinkin’s (Book) THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is presented by the new generation of musical theatre stars under Dash Kruck’s insightful direction.

Director Francesca Savige delivers three distinct performances for Hillary Bell’s SUMMER OF HAROLD, ENFANT TERRIBLE, and LOOKOUT, collectively billed under the first work.

Almitra Mavalvala's BLACKLISTED is storytelling at its best and contained enough vulnerability to be able tell a story of such depth, yet enough nostalgia to evoke memories of the past.

If an education in cleaning chicken carcasses is what you’re looking for, you’ll find it at The Hen House.

The comedy of Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST loses power with a performance that fails to trust the source material. 

Director Lisa Leguillou’s tweeked version of Joe Mantello’s original production of Stephen Schwartz (Music and Lyrics) and Winnie Holzman’s (Book) multi-award winning WICKED arrives in Sydney for the 20th Anniversary of the multi award winning musical’s opening on Broadway.

PLENTY OF FISH IN THE SEA Conceived and directed by Emily Ayoub and Madeline Bathurst, they perform the show along with Christopher Samuel Carroll. This absurdist comic and engaging production is finely tuned with fine art visuals and a surreal sensibility.

REVIEW: New Australian Work, THE DISMISSAL AN EXTREMELY SERIOUS MUSICAL COMEDY Is A Brilliant Exploration Of The Time Democracy Was Undermined By The Governor General.

Based on the real life story of when the razor gangs battled for supremacy on the streets of Sydney in the 1920’s, RAZOR GANG WARS is staged in the unique setting of a 200-year-old sandstone crypt beneath St James’ Church in Sydney

These are the GODZ of Sydney Fringe. Get your tickets now, before they sell out, for this ultimate Fringe show. Head First Acrobats’ GODZ are Thomas Gorham, Callan Harris, Liam Dummer and Jordan Twartz. These sexy beasts are the creators and performers of this must-see show.

Marc Lucchesi, Sarah Nandagopan and Jayan Nandagopan (joint Writers and Composers) new work THE MARVELLOUS ELEPHANT MAN THE MUSICAL arrives in Sydney as part of its current tour of the Fringe Festival Circuit. An absurd mashup of the Victorian era medical mystery and the tradition of the Penny Dreadful horror stories, this work draws artistic influence from vaudeville, cabaret, burlesque and slapstick humor but don’t expect much connection to Joseph Merrick’s real story.

Christine Dunstan Productions and Director Darren Yap bring Tim McGarry’s stage adaptation of Colleen McCullough’s novel, TIM, to The Riverside Theatre. This must-see work explores the journey of two people who form an intimate relationship that would traditionally be considered unorthodox.

Presented by Opera Australia, Cameron Mackintosh’s Revival of MISS SAIGON reunites the creatives from the 2004 Touring Production, which reached Australia in 2007, to reincorporate elements of the 1989 West End original while shifting the focus to make a more powerful message than the central love story. 

Yoruba and Ngati Tuwharetoa musician Samuel Gaskin has created a multi art form performance that is a powerful celebration of indigenous culture using storytelling, original songs, and dance.