Kat Mokrynski - Page 15

Louise Young: Feral is a fun show that will have you thinking your life is pretty tame compared to what Young has gone through. And, according to her, there are still plenty of stories she hasn’t told - I look forward to hearing them!

Ahir Shah: Ends is a fascinating show, but it ends up feeling like more of an aggressive talk than a comedy performance. The comedic moments are brilliant and really let Shah’s sense of humour shine, but I would have liked more of them throughout the show instead of just towards the beginning.

Recently, we had the chance to chat with Emily Benjamin, who plays New York socialite Antoinette Lily. We discussed what made her want to be a part of the show, her own love for country music and what she hopes audiences take away from the show.

'Ricky Sim: Coming Out to Dead People (An Asian Queer Story) is a beautifully heartbreaking show that does a wonderful job of toeing the line between grief and humour, giving Sim the chance to make the audience laugh and cry within an hour.'

Ultimately, John Tothill: The Last Living Libertine is a fascinating, rambly take on not only Catholocism but a range of topics that will have you in stitches. Tothill somehow manages to prove his hypothesis that Catholicism is the same as Acid Techno with a brilliant ending that has the audience members on their feet.

BroadwayWorld sat down with Ghislain Ramage, who performs a Cyr Wheel act in the show. We discussed how he first got involved in the world of Cirque du Soleil, what the show is about and what he hopes audiences take away from the show as a whole.

“Make a noise if you’ve ever watched porn before!” From the start, you can tell that Martin Urbano: Apology Comeback Tour is going to be a weird one. Indeed, the concept of the show itself is a bit strange - Urbano is playing the role of a cancelled comedian, but he is also playing himself, reflecting on what it is like to play the role of another.

It’s the classic “opposites attract” story - Max considers himself to be “calm and collected,” while Ivan declares himself to be “warm and clingy,” quite literally the opposite. But, somehow, the two have been “fated to be together” and have been performing as a comedy duo since 2008, when they first decided to join forces in a “crappy pub.”

'You awake to find yourself in a dark room . . .'

'Going from being a dinner lady to a full-time comedian? It may be more likely than you think. Dan Tiernan: Going Under, gives the Edinburgh Comedy Award Best Newcomer-nominated comic a solid debut hour discussing how the past year of his life has gone. '

'As soon as I saw the description of Tatty Macleod: Fugue, I knew that I wanted to see the show. Having lived in the United States, France and now England, I was interested in seeing how Macleod would take her online sketches discussing how English culture differs from French culture to the stage.'

'Urooj Ashfaq, winner of Best Newcomer at the Edinburgh Comedy Awards, has brought her show, Oh No!, to the Soho Theatre. She was originally a part of Soho Theatre through Soho Theatre India, which has introduced over 30 Indian acts to the UK.'

I had the opportunity to chat with Manny Tsakanika And Ross Sands, two of the performers who have been with Magic Mike Live for the entirety of its five-year run. We discussed what it has been like to see the show grow, what made them want to be a part of it, and what they hope audience members take away from their experience.

How to Flirt: The Ted XXX-mas Edition, written and performed by Daisy Doris May, is a drag king show that brings audience members into a university-style seminar on how to properly flirt with women. The teacher? Steven Porters, a “self-taught feminist” who has seen the error of his ways and is determined to show women that he is worthy of love.

BroadwayWorld spoke with Luke Thallon, who plays Wiktor, a composer who falls in love with Zula, a singer. We discussed what it has been like to return to the Almeida Theatre, what it is like to be taking on a new adaptation and the importance of heritage in works of art like Cold War.

The holidays are here, which can only mean one thing - Christmas specials are arriving! Bad Education: A Christmas Carol, debuted this week on BBC Three. BroadwayWorld had the opportunity to speak with Felix Hagan, co-writer of the multi-award winning musical Operation Mincemeat, who wrote original songs for the episode, and Shay Barclay, the programme's choreographer, who recently choreographed West-End production of The Wizard of Oz.

Unfortunate: The Untold Story of Ursula the Sea Witch, written by Robyn Grant and Daniel Foxx with music by Tim Gilvin, tells the “true” story of Ursula, starting from her childhood and ending with what happens after The Little Mermaid (both 1989 and 2023).

The “greatest spy movie never made” revolves around writer Ian Flemish and real-life spy, Jane Blonde. A group of villains known by EVIW is using the adventures of Flemish’s main character, spy Dick Hardwood, as inspiration for their own evil schemes, and Flemish and Blonde must stop them before they get their hands on his latest work.

BroadwayWorld sat down to chat with some of original Mischief Theatre group - Charlie Russell, Greg Tannahill and Nancy Zamit, who are all back in the show on the West End for the festive season.

Recently we had the opportunity to talk with Alison Faulk, the choreographer for not only Magic Mike Live but the Magic Mike movies as well! We discussed how she first fell in love with dance, what it is like to choreograph with a team, and what the creative process is like for something so interactive like Magic Mike Live.