Stephen Mosher - Page 113

The legendary actress spreads her artistic wings in her new work as a musical storyteller in her cabaret show Finding My Voice, thrilling and enthralling grateful fans.

Cabaret artist and interviewer Eugene Ebner sits down with Hannah Jane Peterson just before her debut at Birdland with Lady Legends of Broadway. Watch this Broadway World exclusive video interview!

The star of DALLAS, FULLER HOUSE and DANCING WITH THE STARS gets closer and closer to his Broadway dream with a stellar night of song and dance in that unmistakable and glorious Di Pade way.

Producer Scott Coulter brings another of his Spot-On Entertainment productions to Feinstein's/54 Below and, with it, proves that it is time for him to be valued as one of the best producers and show hosts in the business.

The Wild Woman of Cabaret is back with her summer smash hit THE BRASS MENAGERIE. Stephen Mosher talks with Amy Jo Jackson just days before her encore run at The Duplex opens

The once ubiquitous NYC nightclub staple is back onstage, with a new CD, a new life, and a new attitude. Well, it's the same attitude only it's been REnewed.

Like a one man music making industry, singer/songwriter/actor/musician/conductor Ben Moss is constantly creating. A recent personal challenge to write a song a day has turned into an evening of entertainment at The Duplex. Stephen Mosher talks with Moss about his process, his background and his upcoming show.

The star of FULLER HOUSE, DALLAS and breakout star of DANCING WITH THE STARS returns to New York with his nightclub act AN EVENING WITH JUAN PABLO DI PACE this week for two performances at The Green Room 42. Stephen Mosher talks with the triple threat about what's in store for his fans who are lucky enough to score tickets.

Award winning vocalist Lisa Viggiano celebrates twenty years in the business with a new cabaret that debuted at The Beach Cafe on January 4th

One of the cabaret community's newer artists, Deborah Stone, comes of age in her new show HERE I AM! After a run downtown at Pangea, she debuts at The Beach Cafe. In this interview with Stephen Mosher, Stone talks about the journey that got her where she is.

There is a genre of musical theater play that has been named the Jukebox Musical. Some consider this type of play with a fair amount of derision, while others embrace the artform; those who do not favor the Jukebox Musical are always sure to coat the words with disdain upon utterance. Perhaps that is why John Lloyd Young calls Jersey Boys a Catalog Musical. It cannot be denied that Catalog Musical is a more elegant way of referring to a piece of theater built around a score that was not originally written for the stage, and it is not an inaccurate appelation. These plays are built around the catalog of music created by a certain musical artist. Whether using the phrase Jukebox Musical or Catalog Musical, there is no disputing the fact that the play Jersey Boys broke free of the derisive attitudes about the category, raised the bar for the plays that would follow, and made John Lloyd Young a star in 2005. The year is now 2020 and John Lloyd Young is still a star, and though his long overdue return to Broadway is still a breathless anticipation, as long as there are clubs, concert halls, and cabarets the fans of the much awarded Young will have a place to shower him with the adulation he has earned and continues to, with every performance. Make no mistake about it: when you pay to see a John Lloyd Young show, you get your money's worth.

The ubiquitous musical director for many great singers puts his own singing talents on display at a thoroughly enjoyable new show at Birdland ... a show for grown-ups with love on their minds.

Stephen Mosher looks back at the cabaret scene, as captured by his camera in 2019

In the final moments of her one-woman musical play OUTBOUND PLANE, Meg Flather compares the process of recovering from pain and failure and loss to being trapped in mud. The analogy immediately conjures images of the saying about the Lotus -- that is when one realizes that Meg Flather is the living, breathing, walking, talking embodiment of that philosophy. All the parts of Meg Flather make up the ideology of the Lotus and the Mud. She is the earth, and she is the water; together she makes the mud. And out of the mud has bloomed the blossom. Meg Flather has, herself, created that which makes her bloom so bright, so fresh, so replete of color, of fragrance, of peace and of tranquility. Meg Flather is everything that she, herself, needs to shine brightly in a world rife with the dingy and the dank.

Popular soprano Maureen Taylor has returned to the cabaret stage with a very personal tribute to lyricist Michael Colby, and COSMIC CONNECTIONS bonds her to her audience in the process.

The keeper of the keyboards, Billy Stritch, heads into the busiest month of his year so far.. and it's only the first month of the year! Read his chat with Stephen Mosher to learn how it all started and how he's going to keep it going with a song in his heart.

Stephen Mosher's personal tribute to Jerry Herman on the occasion of his death at 88.

Two organizations in the heart of New York City help cabaret performers build their careers through a meticulous curriculum of classes with new sessions beginning in 2020.

The most unique and most beloved man in the cabaret business came out of retirement in 2018 and discovered he still had it. That's why he is PANGEA'S choice to ring in the new year with their discerning clientele.

The crooner and staple of the cabaret community returns with one of his favorites - his Christmas show, and there's not an empty seat in the hose.