The time is 1959, a seedy bar in Philadelphia. The audience is about to witness one of Billie Holidays last performances, given four months before her death. More than a dozen musical numbers including What a Moonlight Can Do, Crazy He Calls Me, Easy Living, Strange Fruit, Taint Nobodys Biz-ness If I Do, and God Bless the Child are interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music.The quiet usually held, as one of the great singers of the last century turned jazz songs and standards into searching, and searing, portraits of life and love gone wrong that cast a shimmering spell. New York Times
Videos
An Evening with Josh Gad: In Gad We Trust
Broward Center (1/22 - 1/22) | ||
POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
Adrienne Arsht Center (1/9 - 1/26) | ||
9to5 The Musical
Lauderhill Performing Arts Center (1/16 - 2/2) | ||
SAW the Musical: The Unauthorized Parody of Saw
Broward Center (1/12 - 1/14) | ||
Spamilton: An American Parody
Aventura Arts & Cultural Center (1/24 - 1/26) | ||
Piano Passion From the Studio of Roberta Rust
Lynn University - World Performing Arts Center (1/12 - 1/12) | ||
Dialogues Speaker Series Richard Blanco
Lynn University - World Performing Arts Center (1/27 - 1/27) | ||
Disney's Frozen, The Broadway Musical
Maltz Jupiter Theatre (1/7 - 1/26) | ||
John Oliveira Winner's Concert
Lynn University - Amarnick-Goldstein Concert Hall (1/26 - 1/26) | ||
VIEW SHOWS ADD A SHOW |
Recommended For You