The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes—some funny, some touching, some rueful—which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP. The actors change roles, personalities and ages with virtuoso skill as they portray a wide variety of characters, from little boys to stern grandfathers, and from giggling teenage girls to Irish housemaids. Each vignette introduces a new set of people and events; a father lectures his son on grammar and politics; a boy returns from boarding school to discover his mother’s infidelity; a senile grandmother doesn’t recognize her own sons at Christmas dinner; a daughter, her marriage a shambles, pleads futilely to return home, etc. Dovetailing swiftly and smoothly, the varied scenes coalesce, ultimately, into a theatrical experience of exceptional range, compassionate humor and abundant humanity.
Videos
POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
Adrienne Arsht Center (1/9 - 1/26) | ||
9to5 The Musical
Lauderhill Performing Arts Center (1/16 - 2/2) | ||
Spamilton: An American Parody
Aventura Arts & Cultural Center (1/24 - 1/26) | ||
An Evening with Josh Gad: In Gad We Trust
Broward Center (1/22 - 1/22) | ||
SAW the Musical: The Unauthorized Parody of Saw
Broward Center (1/12 - 1/14) | ||
John Oliveira Winner's Concert
Lynn University - Amarnick-Goldstein Concert Hall (1/26 - 1/26) | ||
The Girl on the Train
Actors’ Playhouse at the Miracle Theatre (5/14 - 6/8) | ||
From Brooklyn to Boca
The Studio at Mizner Park (1/9 - 1/19) | ||
Peter Pan
Kravis Center for the Performing Arts (2/12 - 2/16) | ||
Changemaker's: Exploring Young Women's Voices
Kravis Center for the Performing Arts (1/21 - 2/25) | ||
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