I came here to weep is a performance co-created with its audience. It is a confession, an intentional undoing, an exorcism. Castro asks questions about gathering in performance, catharsis and manipulation: Why are we here? How do we assemble? Are we community? The project contemplates assembling and weeping as direct action, as communal trust. Composed of participatory scores for the public, dances for mourning, and the re-composing and redaction of U.S. treaties on territorial possession, “weep” is a space for congregating, negotiating with the public how we inhabit together.
Videos
Voctave: The Corner of Broadway & Main Street
San Francisco Conservatory of Music, Caroline H. Hume Concert Hall (1/21 - 1/22) | ||
Daisy
Hillbarn Theatre (1/23 - 2/9) | ||
NOBODY LOVES YOU
Toni Rembe Theater (2/28 - 3/30) | ||
Back to the Future: The Musical
Orpheum Theatre San Francisco (2/12 - 3/9) | ||
The Thing About Jellyfish
Roda Theatre at Berkeley Rep (1/31 - 3/9) | ||
Annie
Orpheum Theatre (2/6 - 2/9) | ||
Head Over Heels
City Lights Theater Company (7/17 - 8/24) | ||
Moulin Rouge!
San Jose Center for the Performing Arts (7/8 - 7/20) | ||
Mark Morris Dance Group: Pepperland
Cal Performances' Zellerbach Hall (5/9 - 5/11) | ||
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