Spanning three decades in the entertainment business, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. An inventive, cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated and personal songs.
It’s taken 10 years for this production to make its way from London’s Menier Chocolate Factory via an Olivier Award-stop in the the West End to New York, and the NYTW’s small stage makes it even more of a treat—we can hear the voices and harmonies close-up (orchestrations by Jonathan Tunick and music design by Kai Harada). Somehow director Maria Friedman and choreographer Tim Jackson fill the stage with pods of movement and activity as loopy, tantalizing, and exacting as the lyrics, whether it be Mary’s drunken tirade and falls, bread rolls being used as missiles, or the wonderful company lurching as one towards the audience as the Blob, into which Sondheim and Furth distilled their version of the exhausting tastemakers (“Faabulous”) who govern the cultural conversation.
Given the A-list cast and the size of the space, this “Merrily” has become one of the hottest tickets of the season — and it’s easy to imagine a Broadway transfer in its future. Friedman works hard to blur the weaknesses of Sondheim’s biggest flop, and she mostly succeeds in delivering a psychologically coherent study of how youthful aspirations and good intentions can evolve over time into something less rosy but no less real. Still, even a perfect version of this material is unlikely to win over casual theater fans. “Merrily” is a show that is more likely to be admired than fully embraced.
1981 | Broadway |
Original Broadway Production Broadway |
1985 | Regional (US) |
Regional Production Regional (US) |
1990 | Regional (US) |
Regional Production Regional (US) |
1992 | Regional (UK) |
Regional Production Regional (UK) |
1994 | Off-Broadway |
York Theatre Company Production Off-Broadway |
2000 | West End |
Donmar Warehouse Revival West End |
2002 | Regional (US) |
Sondheim Festival Production Regional (US) |
2012 | Off-Broadway |
Encores! Concert Off-Broadway |
2012 | West End |
Menier Chocolate Factory Production West End |
2013 | West End |
Menier Chocolate Factory Production West End |
2016 | Los Angeles |
Wallis Annenberg Center Production Los Angeles |
2019 | Off-Broadway |
Roundabout Theatre Company Off-Broadway Production Off-Broadway |
2022 | Off-Broadway |
Off-Broadway Revival Production Off-Broadway |
2023 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Direction of a Musical | Maria Friedman |
2023 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Jonathan Groff |
2023 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Lindsay Mendez |
2023 | Outer Critics Circle Awards | Outstanding Director of a Musical | Maria Friedman |
2023 | Outer Critics Circle Awards | Outstanding Featured Performer in an Off-Broadway Musical | Lindsay Mendez |
2023 | Outer Critics Circle Awards | Outstanding Featured Performer in an Off-Broadway Musical | Daniel Radcliffe |
2023 | Outer Critics Circle Awards | Outstanding Lead Performer in an Off-Broadway Musical | Jonathan Groff |
2023 | Outer Critics Circle Awards | Outstanding Revival of a Musical | Merrily We Roll Along |
2023 | The Lortels | Outstanding Featured Performer in a Musical | Krystal Joy Brown |
2023 | The Lortels | Outstanding Featured Performer in a Musical | Reg Rogers |
2023 | The Lortels | Outstanding Lead Performer in a Musical | Lindsay Mendez |
2023 | The Lortels | Outstanding Revival | Merrily We Roll Along |
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